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9 New Books We Recommend This Week
  + stars: | 2023-08-17 | by ( ) www.nytimes.com   time to read: +1 min
Officially, there’s still a month of summer left — but who are we kidding? Happy reading. —Gregory CowlesCOUNTERWEIGHTDjunaThis novel by a pseudonymous Korean science fiction writer (and translated by Anton Hur.) envisions a space elevator built on a fictional Asian island by a multinational corporation. Corporate dominance and environmental havoc inspire protest and armed resistance, in a fast-paced cyberpunk story where agency and identity are always in doubt.
Persons: slouches, longue, noirish, — Gregory Cowles, Anton Hur Organizations: Corporate Locations: Korean
Compared to other heavy hitters from the golden age of French cinema — think Jean Renoir (“The Rules of the Game”) or Marcel Carné (“Children of Paradise”) — history hasn’t been kind to Jean Grémillon. This is especially the case in the United States, where the director’s work continues to be discussed among cinephiles like a special secret. “Lady Killer” stars the leonine Jean Gabin as Lucien, a womanizing legionnaire. Lucien falls hard for Madeleine and takes up a job at a print shop in Paris so that they can be together. In his early days, Grémillon was a violinist who played with an orchestra that provided accompaniment for silent films.
Persons: Jean Renoir, Marcel Carné, Jean Grémillon, , Victor ”, , Jean Gabin, Lucien, Madeleine, Mireille Balin, Grémillon Locations: United States, France, Paris
This month the spotlight is on South Korean crime drama “Decision To Leave.”CNN —A language barrier lies at the heart of swoon-worthy Korean police procedural “Decision To Leave.” Hae-joon (Park Hae-il) is a polite Busan cop, Seo-rae (Tang Wei), the Chinese wife of a dead businessman. Park Hae-il and Tang Wei as a detective and suspect drawn together by the death of a mountain climber. The interview: Writer-director Park Chan-wookPark Chan-wook attends the "Decision To Leave" UK Premiere during the 66th BFI London Film Festival on October 14, 2022. Gareth Cattermole/Getty ImagesThe Korean master told CNN he wanted to adhere to then subvert film noir in “Decision To Leave,” playing with tropes, structure and the male gaze. For more details on his “very meta approach,” why he cast Tang Wei and why “Vertigo” was far from his mind, read the full interview.
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